FT Life & Arts by Mika Ross-Southall
Tuesday, 12 June 2012
When I was pre-GCSE, the pink newsprint of the Weekend FT
and the colour-saturated photographs from the How To Spend It magazine had an
enthralling glow. I snipped at beach scenes
and tore chunks of newspaper into my own Richard Hamilton-style homework title
pages and birthday card collages. I even
stored parts of the destruction in a clear plastic folder to use later.
I am not being entirely honest – this process of FT-orientated
demolition still occurs. But whilst I
pour over the visuals of the paper and supplements and wonder what I can
create, the writing is always uppermost in my mind. As I quickly realised during my first week as
an intern to the editor of the Life& Arts section, the publication’s
content is already a satisfying collage in itself even before my scissors loom
large.
Every article goes through a surprising journey. One of the most interesting meetings I
attended was the Life & Arts editors’ discussion about the features for the
weeks ahead. Decisions about which
articles to include, and where and when they should be placed in the section
are a skilful, choreographic process. I
was excited to see a meaty list of famous names in the cultural world being put
forward or dismissed for future front pages, Diary articles or Lunches with the
FT. And I discovered the importance of
how each potential article interplays with the whole section to create a
collage of culture. I have not just been
an observer in the journey of this process; I have most enjoyed the feeling
that in a small way I contribute to the weekly publication. Amongst various other jobs, I have done a few
pieces of writing, devised and conducted interviews and proof read
articles. Every word, every fact in each
article is meticulously checked – a gratifying and curiously fruitful duty that
I was given from the outset. Did you
know George RR Martin began his fiction-writing career fantasising about the tumultuous
progeny of dime store turtles? I had no
idea that you were once able to buy live turtles in a plastic bowl from
American Woolworths’.
The internship firmly confirms my enjoyment of writing
cultural journalism and my eyes are also now wide open to the stimulation of
being involved in the editorial process.
The finished Life & Arts section continues to ignite my imagination,
but I have discovered the exclusive excitement of the collage behind each
article and each week’s publication.
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